Main Page

Welcome to the wiki of the course Foundation of Digital Humanities (DH-405).

Contact

Professor: Frédéric Kaplan

Assistants: Vincent Buntinx and Lia Costiner

Rooms: Wednesday (CMN1113) and Friday (CM1104)

Links

Framapad

Summary

This course gives an introduction to the fundamental concepts and methods of the Digital Humanities, both from a theoretical and applied point of view. The course introduces the Digital Humanities circle of processing and interpretation, from data acquisition to new understandings. The first part of the course presents the technical pipelines for digitising, analysing and modelling written documents (printed and handwritten), maps, photographs and 3d objects and environments. The second part of the course details the principles of the most important algorithms for document processing (layout analysis, deep learning methods), knowledge modelling (semantic web, ontologies, graph databases) generative models and simulation (rule-based inference, deep learning based generation). The third part of the course focuses on platform management from the points of view of data, users and bots. Students will practise the skills they learn directly analysing and interpreting Cultural Datasets from ongoing large-scale research projects (Venice Time Machine, Swiss newspaper archives).

Plan

20.09 (2h) Introduction to the course and Digital Humanities, structure of the course. Introduction to Framapad with a simple exercise. Principle of collective note talking and use in the course. State of the Digital Humanities at EPFL, in Switzerland and in Europe. Structuring tensions 1: Digital Humanities, Digital Studies, Humanities Computing and Studies about Digital Culture. Digital Humanism vs. Digital Humanities. Why digital methods tend to dissolve traditional disciplinary frontiers. A focus on practice. Translation issues.

22.09 (4h) (a) Structuring tensions 2: Big Data Digital Humanities vs Small Data Digital Humanities. The 3 circles.

• Practical session: Introduction to MediaWiki. Creation of the articles by the student followed by peer-review by another student (enriching, completing references).
• DH historical figures: Roberto Busa, H.G. Wells, Paul Otlet, Emmanuel Le Roy Ladurie, Any Warburg, Bettmann, Tim Berners Lee, Jimmy Wales, Elisée Reclus, Albert Khan, Jules Maciet.
• DH concepts and related : Distant Reading, Regulated Representations, Pattern, Culturomics, Ubiquitous Scholarship, Gamification, Thick Mapping, Design fiction, New Aesthetics, Skeuomorphism, Digital Aura, Digital Heritage, Attention Economy, Folksonomy, Linguistic Capitalism, Open Access, Redocumentation, Open Hardware, Attention backbone, Opinion Mining, Topic Modelling, Gazetteer, Uberisation, Crowsifting, Copyleft, Onboarding.

(25.09 2pm : Experiment with Digital Art History interface INN116)

27.09 (2h) Introduction to the DH circle of processing and interpretation (acquisition, processing, analysis, visualisation, UX, interpretation). From data acquisition to new understandings. General presentation of the Time Machine pipeline. Principles of Digitisation campaign planning. Management of uncertainty, incoherence and errors. Iconographic principle of precaution. Right to be forgotten.

29.09 (4h) Forum Art Tech (Rolex Learning Center).

Part I : Pipelines

04.10 (2h) Pipeline for Written documents (Printed and Handwritten). Scanning techniques for books and documents. Principles of Transcription. Transcription tools. Canvas concept. One canvas multiple images, one image multiple canvas. Short introduction to IIIF. Named Entities, Semantic modelling,Topic and Document modelling.

06.10 (4h) Introduction to Python and bot writing (Vincent). Interfaces for MediaWiki and ClioWire (the platform we will develop during the semester). (a) Presentation of the main databases used in the course. Presentation of the group projects. (b) IIIF and DHCanvas (Orlin). Open Annotation Data Model. Shared Canvas. (c) Transcription of Venetian documents (Maud, Giovanni).

11.10 (2h) Pipeline for Maps. Vectorization. Alignment. Homologs Points.

13.10 (4h) (a) QGIS Hands On. Exercise on Venetian cadaster (Bastien, Isabella). (b) Composition of the group and start of the project design.

18.10 (2h) Pipeline for Artworks photographs. Image banks and phototarchives. Scanning techniques for photographs. Segmentation. Features detection. Detail search.

20.10 (4h) (a) Exercises with the Replica database and search engine (Lia, Isabella) (b) Project design continues

25.10 (2h) Pipeline for 3D spaces. Photogrammety. Diachronic realignment. Multiscale indexation.

27.10 (4h) (a) Photogrammetric tutorial (Nils) (b) Oral presentation of project design.

Part II : Algorithms

01.11 (2h) Algorithms for Document processing : Document analysis and Deep learning methods

03.11 (4h) (a) Machine vision tutorial (Benoit, Sofia). Introduction to Jupyter. Deep learning in practice. (b) Project development

08.11 (2h) Algorithms for Knowledge modelling : Semantic web, ontologies, graph database, homologous points, disambiguation.

10.11 (4h) (a) Exercise in semantic modelling and inference (Maud) (b) Project development

15.11 (2h) Algorithms for Generative models and simulation : Rule-based inference, Deep learning based generation. Discussion on new regimes of visibility.

17.11 (4h) (a) Exercise in deep-learning based generation (Benoit, Sofia) (b) Project development

Part III : Platform management

22.11 (2h) Data Management  : Computing infrastructure, Data Management models, Sustainability. Apps. Example of Wikipedia and Europeana.

24.11 (4h) (a) Oral presentation of the state of the project and the data processed (b) Preparation of deployment for testing phase

29.11 (2h) User Management : Representation, Rights, Traceability, Vandalism, Motivation, Negotiation spaces

01.12 (4h) Testing phase

06.12 (2h) Bot Management : Versioning. Open source repositories.

08.12 (4h) Testing phase and report writing

13.12 (2h) Report writing

15.12 (4h) Final project presentation

References

Key Figures

Identity map (Cardon)

Maps for Big Data Digital Humanities (Kaplan)

Semiotic Triangle (McCloud)

Infinite Canvas (McCloud)

Uncanny Valley (Mori)

Databases

(Page to be created indicating characteristics, quantity and copyright)

Le Temps Archives

Cini Photoarchive

Venice Time Machine documents

Scans of Acedemic Book and journals about Venice

Linked Book

Notation system

Wiki writing (10%)

Project design (20%)

Project implementation (20%)

Project testing (20%)

Oral presentations (30%)