Terzani online museum

Introduction

The Terzani Online Museum is a student project created in the scope of the DH-405 course. From the digitization of photos taken by the journalist and writer Tiziano Terzani, we created a semi-generic method to transform IIIF manifests of photographies into a web application. Through this platform, the users can easily navigate the photos based on their location, filter them based on their content, or look for similar photos to the one they upload. Moreover, black & white images can be automatically colourised.

<Version by Ravi>

The Terzani Online Museum is a student course project created in the scope of the DH-405 course. From the archive of digitized photos taken by the journalist and writer Tiziano Terzani, we created a semi-generic method to transform IIIF manifests of photographs into a web application. Through this platform, the users can easily navigate the photos based on their location, filter them based on their content, or look for similar images to the one they upload. Moreover, the colorization of greyscale photos is also possible.

The Terzani Online Museum is available following this link.

Photograph of Tiziano Terzani

Motivation

The way history has been transmitted, captured, and remembered has always kept evolving. From Roman's codices and oral tradition to today's daily Petabytes of information stored in datacenters, these means of transmission have always influenced their times and the way historians perceive it. One such information transmission mean emerged in the 19th century : the film-camera[1]. For the first time in history, exact scenes could be instantanously captured. Moreover, this invention turned out to be cheap enough to produce and it was soon accessible by a large public. This resulted in an abundance of photographies being taken through the 20th Century, before the film-camera was replaced by its digital version. About a century of our history has thus been captured on films and, for the vast majority of it, is laying in our drawers or in archives. This knowledge is sitting still, barely accessible by anyone and at the risk of wearing out or being destroyed. One way to preserve this knowledge is to digitize it. While this step would prevent photographies from wearing out, these are still of no use if they are just sitting in a virtual folder. The goal of our project is thus to create a mean of mediation for these large collections of photos, such that anyone, anywhere, can easily access them.

Our project is specifically focused on Tiziano Terzani, an Italian journalist and writer. During the second part of the 20th Century, he extensively traveled in east Asia[2] and witnessed many important events. During these trips, he and his team captured many pictures of immense historical value. The Cini foundation digitized some of his photo collections Terzani photo collections. These about 8500 photos are however very difficult to access on the current platform, and there are no way to filter them. Our project thus constitutes in the creation of a Web application facilitating the access of the Terzani photo archive to a 21st-century digital audience.

<Version by Ravi>

Many inventions in human history have set the course for the future. One of them is a camera, which has transformed the way we share bondings and stories. Storytelling is an essential part of the human journey. Starting from what one does when waking up in the morning to the explorations in the deep space, stories form the connections. The tales were mostly transferred orally historically. Later came writing practices like Roman's codices to today's daily Petabytes of information stored in data centers. These means of transmission have always influenced their times and the way historians perceive it. One such information transmission means that emerged in the 19th century is the film-camera[3]. The invention of the camera[4] started to change the landscape of narrative. The boom of a camera resulted in an abundance of photographs capturing the events throughout the 20th century. However, today the vast majority of them are lying in the drawers or archives possessing a risk of wearing out or being destroyed. While digitize would prevent photographs from wearing out, knowledge extraction is not possible. Hence we have to create a medium for these large collections of photos, such that anyone, anywhere, can easily access them. This medium would help understand the then situations better. If not for research, it is always fascinating to visit history and alluring to see the pictures of past times.

Our project focuses on Tiziano Terzani, an Italian journalist, and writer. During the second half of the 20th century, he had extensively traveled in east Asia[5] and witnessed many important events. During these trips, he and his team captured many pictures of immense historical value. The Cini foundation digitized some of his photo collections 'Terzani photo collections'. Nevertheless, having to go through an innumerable number of images is not productive. Our project thus constitutes the creation of a Web application facilitating the access of the Terzani photo archive to a 21st-century digital audience that would help access these photographs and travel through them.

Methods

Data Processing

Acquiring IIIF annotations

As the whole project is based on IIIF annotations of photographies, we must first collect them. The Terzani archive can be found on the Cini Foundation server[6]. However, it doesn't provide any specific API to download the IIIF manifests of all collections at once. Therefore we used the Python module Beautiful Soup to read the root page of the archive[7] and to extract all collection ID from there. Once we had collected these IDs, we could make a request to each corresponding IIIF manifest using urllib. We could then simply read this manifest and only keep the annotations whose label explicitely says that it represents the recto of the photography.

In our project, we're displaying photographies in a gallery sorted by country. The country information is however not present in the IIIF annotation. It is however available on the root page of the Terzani archive[8] : collections' names take after their origins. As these names are however not all formatted the same and written in Italian, we decided that it would be easier to map each collection to its country by hand rather doing it algorithmically. One problem occured for the collections whose name is made of multiple countries. It is impossible for us to know which photo is part of which of these countries. Thus we decided to not assign a country to any of these collections.

<Version by Ravi>

The IIIF annotations of photographs form the basis of the project, and the first step is to collect them. The Terzani archive is available on the Cini Foundation server[9]. However, it doesn't provide any specific API to download the IIIF manifests of the needed collections. Therefore, we use Python's beautiful soup module to read the root page of the archive[10] and extract all collection IDs from there. Using the collected IDs, we obtain the corresponding IIIF manifest of the collection using urllib. Consequently, we read this manifest and only keep the annotations of photographs whose label explicitly says that it represents the recto (front side) of it.

In our project, we display a gallery sorted by country. Although the country information is not present in the IIIF annotation, it is available on the root page of the Terzani archive[11]. The collection's name takes after their origins. As these names are written in Italian and not formatted the same, we manually map the photo collection to its country. In this process, we have ignored those collections that have multiple country names.

Annotating the photographies

Once in posession of the IIIF of the photographies, we annotated them using Google Cloud Vision[12]. This tool provides a Python API with a myriad of annotation features. For the scope of this project we decided to use the following :

• Object localization : detects which objects are on the image with their bounding box
• Text detection : OCR tool giving all text that could be read on the image alongside with their bounding box
• Label detection : gives general labels to the whole image
• Landmark detection : in the case where the image represents a famous landmark, gives the name of this place as well as its coordinates
• Web detection : if any similar photo is on the web, gives its reference alongside with a small description. We only make use of the description as an additional label for the whole image.

For each IIIF annotation, we first download its corresponding photo and then use the Google Vision API to get all these new information. However some of the values returned by Google Vision cannot be used as they are. We processed bounding boxes and all texts the following way :

• Bounding boxes : a bounding box is given by its 4 coordinates normalized between 0 and 1. To able to display the bounding box with the IIIF format, we need the non-normalized coordinates of its top left corner and its width and height. Luckily, the whole photo width and height is present in the IIIF annotation, which allows us to "de-normalize" the coordinates. The computation of the bouding box height and width is then only a matter of very simple algebra.
• Texts : Ravi ?

We then stored all of these information together in JSON format.

Photo feature vector

Ravi

Database

As our data was currently stored as a JSON, it made sense to choose a database capable of handling it. Thus we decided to use a NoSQL database and picked MongoDB. Using the PyMongo module, we created three different collections on this database.

• Image Annotations : this is the main collection. Each object has a unique ID and contains a IIIF annotation and all the corresponding information gotten with Google Vision that has a bounding box (object localization, landmark and OCR).
• Image Feature Vectors : Simple mapping between object's IDs and its corresponding photo feature vector.
• Image Tags : This collection contains one object for each label and each bounded object detected by Google Vision. Each objects then contains a list of IDs of photos corresponding to this tag. This collection serves two purposes. First, it is a way to map photo labels to all corresponding IIIF annotation. Secondly, this collection is very useful when making a query for a bounded object. Indeed, if you did not have it and wanted to retrieve all images containing for example a car, you would have to scan every bounded object of the entierty of the "Image Annotations" collection. This solution wouldn't scale up at all, as one photo may have a dozen of bounded object. With this collection, you can very easily get all the corresponding object IDs and then query these IDs from the "Image Annotations" collection

Website

Back-end technologies

In order to create a Web Server that could easily handle the data in the same format we had used so far, it felt natural to choose a Python Framework. As the web application we wanted to build did not require complex features (e.g. authentication) we chose to use Flask which provides the essential tools to build a Web server.

The server is mostly responsible for processing the users' queries and to make the bridge between the client and the database. It also takes care of the computational heavy task of make the photographies colorisations that the users request.

Front-end technologies

To build our webpages, we make use of course of the traditional HTML5/CSS3. To make the website responsive on all kinds of devices and of screen sizes, we use Twitter's CSS framework Bootstrap. All programming on the client side are made in JavaScript with the help of the JQuery library. Finally, for an easy usage of data coming from the server, we use the Jinja2 templating language.

Gallery by country

To create the interactive map, we used the open-source JavaScript library Leaftlet[13]. To put in evidence the countries that Terzani visited, we used the feature that allows us to display GeoJSON on top of the map. We used GeoJSON maps[14] to construct such a file only containing the desired countries.

When the user clicks on a country, the client makes an AJAX request to the server asking for the first 21 photos of this country. In turn, the server queries the database to get the IIIF annotations of these 21 photos as well as the total number of photos from this country. When the client gets these information back, it uses the image links from the IIIF annotaitons to display them to the user. The total number of results for a given country serves to compute the amount of pages required to display them all. To create the pagination, we use HTML <a> tags, which, on click, make an AJAX request to the server asking for the relevant IIIF annotations

Map of landmarks

When the user clicks on the Show landmarks button, an AJAX request is made to server asking for the name and geolocalisation of all landmarks in the database. With these information, we can create with the Leaflet library a marker for each unique landmark. Leaflet also allows us to create a customized pop-up when we click on such landmarks. These pop-ups contain simple HTML with a button which, on click, queries for the IIIF annotations of the corresponding landmark.

Text queries pipeline

Search by Text

Querying photographies by text happens in multiple steps describe below. To get a clearer idea of where each step happens in the pipeline, each of them directly refer to the corresponding number of the schema on the right. These steps do not explain how the pagination is created as the process is the exact same as for the gallery.

1. The user types his query on the website. The client makes a request containing the user input to the server.
2. Upon receiving the user text query, the server .... **Ravi ?** . Then it queries the Image Tag collection to retrieve the IDs of 21 objects corresponding to the query.
3. The MongoDB database responds with the desired object IDs
4. Upon receiving the object IDs, the server queries the Image Annotation collection to retrieve the IIIF annotation of these objects. If the user checked the Only show bounding boxes checkbox, the server also asks for the bounding boxes information.
5. The MongoDB database responds with the desired IIIF annotations and the eventual bounding boxes.
6. When the server gets the IIIF annotations, it performs some processing on the IIIF image links. If the user wanted to show the bounding boxes only, it creates a IIIF image URL such that each image is cropped around its bounding boxes. In any case, the IIIF image URL is also constructed so that the resulting image has the shape of a square. When the server is done with this processing, it sends all IIIF annotations as well as these IIIF image URLs to the client.
7. Using Jinja2, the client creates an HTML <img> for each Image URLs. The image data, hosted on the Cini Foundation server, are queried using the IIIF image URLs.
8. The Cini Foundation server answers with the images data and they can finally all be displayed to the user.

Image queries pipeline

Search by Image

The process to query similar photographies is similar to the text queries. Again each step described below corresponds to its number on the schema on the right

1. The user chooses an image from its computer. The client makes a request containing the data of this image to the server
2. Upon receiving this request, the server computes the feature vector of the user's image using a ResNet50 Ravi. It then queries the database for all feature vectors.
3. The database answers with all feature vectors
4. When the server has all the feature vectors, it compares each of them with the one from the user's image using cosine distance. Then, only the 20 closest feature vectors and the server selects their corresponding object IDs. Once it has these IDs, it queries the Image Annotation database for the IIIF of the photos.
5. The database responds with the 20 IIIF annotations.
6. The server process the IIIF image link so that the image will have the shape of a square and sends this information back to the client.
7. Using Jinja2, the client creates an HTML <img> for each Image URLs. The image data, hosted on the Cini Foundation server, are queried using the IIIF image URLs.
8. The Cini Foundation server answers with the images data and they can finally all be displayed to the user.

Quality assessment

We have successfully created a structured pipeline to perform the crucial steps for extracting the data and making it available for search engines. In further subsections, we provide the analysis and evaluation of the effectiveness of each step.

Data Harvesting

The first step in the pipeline is to obtain the photographs available on the Cini Foundation server. As the website did not provide an API to access the data, we have resorted to standard web scrapping techniques on the HTML page and create a binary file to store the IIIF annotation of the image. Although we have successfully extracted all the images present on the server, there is an amount of manual work that prevents making this an autonomous step. The other hurdle is the country information for each photograph for which we have manually annotated countries by going through the website. Thus not all images have a country associated with them as collections have multiple countries associated with them.

Text based Image search

The creation of tags to search images based on is one of the trickiest steps in the pipeline, as we have the least control over the process of creation. The Google Vision API has produced sufficiently reliable results for most of the photographs that have observable objects in recent past photography. However, in terms of text, the API itself has constraints on the languages that it can automatically. Thus, most of the detected text is the one that contains English alphabets. Nevertheless, for that text that is visible, we have results that are many times not evident to the human eyes. As we do not store any of the images on google cloud storage, the process itself cannot happen asynchronously and amounts to large amounts of lead time.

It is always strenuous for the user to search for exact words and find a match. Thus we resorted to using regular expressions for the search queries. Nevertheless, this comes with the problem of returning many search results that might not be relevant always. For instance, the search for a car or a cat can show images of carving or a cathedral.

<write user feedback on search results>

The results in the section of the website were widely acceptable.

Similar Image search

Alike the other search engine, the results in this section are also not measurable through a metric. The observation from the search results is that they are returned based on the structures present in the source image. These results are appropriate most of the time as the engine would return faces for faces, buildings for buildings, and cars for cars. Due to the constraint that most of the photographs are monochromatic, the colors in the source images do not significantly aid the search process.

Although the next issue does not directly concern the quality of the result produced, it would affect the user's interaction with the service. Currently, the search between the images happens sequentially. Parallelizing this would expedite the process.

<write user feedback on search results>

Code Realisation and Github Repository

The GitHub repository of the project is at Terzani Online Museum. There are two principal components of the project. The first one corresponds to the creation of a database of the images with their corresponding tags, bounding boxes of objects, landmarks and text identified, and their feature vectors. The functions related to these operations are inside the folder (package) terzani and the corresponding script in the scrpits folder. The second component is the website that is in the website directory. The details of installation and usage are available on the Github repository.

Schedule

Timeframe	Tasks
Week 5-6	Investigate methods to scrape images from the Cini IIIF manifest. Study methods and models to colorize images.
Week 6-7	Exploring Google Vision API Prototype Image colorization Investigation web technologies to create a website Preliminary prototyping of the website
Week 7-8	Designing the database Script to run google vision API on the images and store in the database Develop a basic text-matching based search engine.
Week 8-9	Prepare midterm presentation Use Google Vision's tags in the text search queries Enhance website UI
Week 9-10	Fill database with photographies' feature vectors Pre-process Google Vision annotations (lemmatization, tokenization, ...) to enhance search queries Manually attribute a country to each photo collection Create a photo gallery to explore the photo by country
Week 10-11	Improving the Website UI Create an inverted file to process the search queries faster Start searching users for feedback
Week 11-12	Create Image-based search engine Allow image colorization option to the website Hosting the website User feedback
Week 12-13	Website modifications based on user feedback Code refactoring Report writing Exploratory Data Analysis on the Image annotation data (optional) Add feedback option on the website
Week 13-14	Report writing Code refactoring